


PANASONIC P2 HD AG HPX170 MANUAL
Unique to Panasonic, Chromatic Aberration Compensation (CAC) technology minimizes color bleeding in the surrounding image and achieves rich expression by way of finely rendered nuances and excellent shading Manual Control Rings Three manual rings – mechanical (cam-driven) zoom, focus, and iris – allow you to operate as if you've got an interchangeable-lens camcorder, for fine, tactile control over the parameters of the captured image Optical Image Stabilization To compensate for any shaking of the operator's hand, the HPX250 features an optical image stabilizer (OIS) High-Sensitivity, Low-Noise 3MOS Image Sensor Thanks to Progressive Advanced Processing (PAP) technology, high sensitivity up to F10 (F11 in 50 Hz mode) is possible, for low-noise performance in dimly lit environments. The lens combines 18 elements in 12 groups and adds an ultra-high refractive (UHR) glass element, a low-dispersion element, and aspheric elements. Sharing the wide-angle capability found in the DVX and HVX series, the lens offers some additional telephoto capability for a 28-616mm (35mm equivalent) zoom range.
PANASONIC P2 HD AG HPX170 PROFESSIONAL
Panasonic Optical Technology The HPX250's high-performance 22x zoom lens was designed specifically for professional HD video production. Its compact size makes it hard to leave at home. The HPX250 could thrive as the second camcorder on an independent feature production, or as the go-to model for a freelance videographer who does a variety of jobs, from SD to HD – and with support for PAL/NTSC signal systems, it will cross oceans without missing a beat. The AVC-Intra 100 codec is a perfect choice for any projects that involve tasks such as greenscreen shooting. A variety of frame rates are possible in DVCPRO modes, for native slow- and fast-motion effects.įor video that will later endure heavy processing in the form of effects and other processes, the intra-frame compression options of the HPX250 are crucial. Featuring an integrated 22x zoom lens and a 2.2 Mp 1/3"-type 3MOS imager, the versatile HPX250 records not only AVC-Intra but also several flavors of DVCPRO (including DVCPRO HD) as well as DV. SCE provides detailed, timely estimates for you or for your insurance company.The Panasonic AG-HPX250 P2 HD Handheld Camcorder is the first handheld professional camcorder model to record the extremely high-quality AVC-Intra 100 Mb/s (10-bit 4:2:2) codec.

With the high price of replacement parts you will still save money because of our low labor rates and ability to repair your camera QUICKLY! INSURANCE ESTIMATES I told you not to loan your camera to your brother-in-law!! Whether you need a complete frame replacement, new LCD display, battery compartment or just a broken I/R sensor window we are experts in the repair of all impact damage. We do not service removable interchangeable lenses, however! IMPACT DAMAGE SPECIALISTS SCE also offers a nice selection of used lens at substantial discounts installed and aligned. SCE can beat any price on a new front lens and alignment. If the lens is chipped, pitted, scratched or has sand and debris in the zoom and focus rings it must be replaced. SCE has replaced, repaired and aligned hundreds of these integral front lenses. We disassemble your camera and clean the interior carefully with compressed air and use electronic cleaners to arrest the spread of damage from moisture on the circuit boards. Once sand & debris gets inside the lens or in the zoom & focus rings the only solution is to replace the front lens. SCE can replace any affected camera boards or frame parts until your camera is like new or neutralize the damage that you have to keep costs low! Sand & debris on the camera interior should be removed quickly before it has a chance to migrate into the front lens. Fast action is suggested if you have exposed your camera to moisture when filming in the jungle or at the beach.

SCE often is able to spot this water exposure and clean it up before it spreads. Some water damage is only cosmetic, but when it gets on the camera boards it can be catastrophic to operation.
